The Voice Over Acting Path My Career Is Heading Down That I Didn’t Expect, Auditioning For It & What I’ve Learned So Far

Voice Over: We all know it, whether we hate it (the car commercials, those horrific training videos before you get on the floor at our new job or even those annoying peppy- ass Spotify ads) or the ones we like, the ones that voice our favorite TV characters in animation, video games, the NOT so annoying commercials like maybe you like the sexy old spice guy? Or the Dos Equis dude? These are just tiny examples of where voice over is  present in our daily lives because baby- it’s everywhere. Instructional how-to’s, McDonald’s dollar menus, bar safety videos and our beloved Homer Simpson and Stewey, are all faceless voices, even the stuff on on TV telling us WHEN a TV show is  going to be on at “8/7 central” are all voice over.

In my over decade career of acting and years perusing professional training through my BFA in musical theatre and my 2.5 conservatory degree at the Atlantic Acting School in New York which specialized in solely acting, VO (Voice Over) was not even on my radar as something I would ever do, was in my range of possibilities or even of interest to me.

Now a year later in my professional relationship and contract with my management  overall, 98% of my auditions were for VO. My auditions are for animation so: The bulk is mostly TV show characters, a TV spot here and there ( the person telling you when a TV show- mostly for nickelodeon was going to be on), a few video games, I did one audiobook audition and I recently had an absolute blast for a horror-story podcast based out of an eastern city metropolis. Now, the other 2% of auditions can be broken down into physical in-person auditions and self-tapes. The physical in-person auditions have all been for wildly successful and high profile things that I still can’t believe I’ve been able to step into those rooms to audition for such as Netflix TV shows; FX, or big-name showrunner TV peeps or wonderfully exciting well known NYC Theaters–My managers are goooood to me! (Shout to SG if ya’ll are reading this)  The self-tapes have mostly been for films which I have the least experience in and don’t have much to say about.

So that 98 % of VO auditions that have taken up my August 2018- now present July 2019 have been such a learning experience and what I want to focus on. I’m not going to lie and say in the beginning and even middle and here and there, there have been moments where I have said after having so many auditions in a row (sometimes 4 in a week- but like- I wasn’t complaining then because HI AUDITIONS AND CREATIVITY!!) where I was looking at the potential trajectory of my life and saying “I don’t want to do voiceover ” or maybe some variation perhaps of ” This isn’t what I planned, I want to do theatre, where are those auditions?”

So privilege check for a moment- I am extremely lucky because in my best days I was getting a minimum of 2 auditions a week. Usually 3. Lucky? Check. The shit I was/still am auditioning for was and is ridiculous to be brought in at that level is extremely lucky and so fortunate. Check. I know there are actors out there who would murder their families Menendez style to audition for the companies I have in a medium they “didn’t plan on” or “want to.” So I know when those gross words slip out I need to shut the hell up and look at my life and be grateful.

So here’s the part where I’ll lay it out and just be transparent and in the words of Amy Schumer (who I can quote this almost verbatim because I was practicing my VO skills the other day from her book The Girl With The Lower Back Tattoo) and say “Choose your own adventure and skip ahead if you don’t want to hate me or hate your life.” I’ve had the pleasure of auditioning (and I’m going to stick to VO only because that’s the point of this post) for new shows on PBS, Nickelodeon TV shows and commercial spots, Cartoon Network ( some established shows like Steven Universe and new ones), Video game franchises, Dreamworks and my personal greatest accomplishment and honor was when I finally got to audition for Disney about 10 months in. Privilege check meter:  meter has exploded- mercury exploding all over. check check check.

Now here’s a fun fact. Out of the however many auditions I’ve had (including the in-person ones)…I haven’t booked a single one! And I put that exclamation mark there for 2 reasons, A) for proof that you can have all the opportunities in the world and it doesn’t mean shit because this biz is hard and B)  also hopefully you’ll be like “see he doesn’t take himself that seriously and he’s not a conceited asshat”  *Nervously looks around hoping for the latter*

But in all seriousness, I’ve auditioned for a lot of stuff, and haven’t booked anything and while yes, that super sucks and my bank account weeps and I’ve been on the verge of having to move out of my 1 bedroom apartment I live alone in– heres where things turn around- I’ve learned so much about acting through VO and honestly this past week I have begun to learn so much more- which is why I was inspired to write this all down now.

The main thing about Voice Over acting: You have so much FREEDOM TO CREATE. You can literally do ANYthiNg. You get to be so SO big. You are literally, at the true essence CRE-ATE-TING a character from just lines on a page and conveying it all with your      v o i c e.  You get to encapsulate and paint the picture of a whole human with your mouth dude! What a concept!

The Audition Process: You get the email from your manager *LADY SPIDER DUE 7/4* you will usually get a break down which means it’s a description of the character, sometimes a paragraph giving the emotional arc (or other times, a very brief description like a sentence or 2 of key facets) of the character and sometimes you even get a sketch of what the character looks like, usually a black and white artist sketch. [[[Quick Trivia: Something I am learning now, (A year later…better late than never, but aren’t babies just learning to walk at a year or something? I know nothing of child development) as I am getting better from listening to the professionals, something paramount to creating the way the voice of the character is they may get the idea based on the sketch maybe about the way their mouth is shaped prompting this voice actor to then talk out of the side of their mouth, or have a lisp.]]] So you get the breakdown with or without the sketch. So here, let me give you a fake breakdown so you know what one would look like:

Lady Spider, 17-mid 20s,  She’s a spit fire always ready with a witty quip. Her close friends; Jewels and Tyler all work together at the job they all hate, Dairy King.

And then the scene would probably take place in a Dairy king (maybe she puts it down with a snide comment?) but maybe the lines have nothing to do with Dairy King-I dunno. Who knows, it just gives you a slight idea that this girl has some sass, and then it’s up to you as the talent to portray that facet in whatever way you want. Then you record it at home, do as many takes as you want- me I do like 80,000, then you send it off as an mp3 to you manager and you continue on with your life.

The lines are usually short, and equal a page or 2. I am going to type usually again, but use italics this time. Usually. I’ve had some doozy’s where I’ve had almost paragraphs to read. Another fun fact is, you just read your lines, when you get the script, or some people call it sides, or copy, you get everyone’s lines but you skip down the page and just read your lines even if aurally it won’t make sense if when listening it goes from suddenly you shouting “NO!” when your line before was “I think I’m going to eat some pizza.”

So, as I said– you get to be as big as you want, which I have found a lot of freedom and fun in. I find myself creating these larger than life characters, doing things, making sounds (I’ve had to pretend I was shoving my face with cake, so I was licking my fingers and had to find a way to make myself sound full) to create a picture and tell a story, which inevitably is a lot harder than you think. However not everything is peachy keen, I wish and have a bit of disdain that I have no training in VO. I will be the first to admit, and then my managers can probably (although in a loving manner) back me up and say that I would benefit from VO lessons and classes. I can do a few specific things very well, a few accents, and placements in my voice and find endless emotion within that placement, but finding a great deal of vocal range has been difficult for me. An old acting teacher has told me, my speaking voice alone is interesting, so wouldn’t that be nice if I could just Mila Kunis it up in this B (She plays Meg on Family guy in her speaking voice) and just get cast using my regular voice? And I’ve honestly thought about that a lot, and I don’t know that that would be all that fun. Part of the glory of sending in all these audio files to the faceless suits of the 2 agencies I always submit to is creating these larger than life characters, most of which are not human (I would like to clarify though, just because I’m reading for a character named Lady Spider or Ollie the Octopus I’m not making guttural noises like a Pokemon, these are human beings and voices I am creating.)

And finally the last story I will share with you my dear friend, is the most challenging and longest audition I had because it was a 10-minute recording, was for an AudioBook. It was a while back but I believe it was 3 chapters of a successful teen novel that had been out since I believe 2014? It was very surprising but the audition came late at night, I want to say maybe 9pm and was due the next day. Now, here’s my thing when it comes to VO auditions- I do them immediately. I don’t have much of a life so I am usually always home and can get to my computer almost immediately and start recording. So, it was like, 9pm on say, a Wednesday and I get an email for an Audiobook audition (my very first) I don’t even know how many pages it was…Let me see if I can find the email- hold please…-okay, I’m back- it was 6 pages in about size 12 font. It took me hours to record.

Now, I say this 100% UNBIASED despite the fact that I am a Backstage (magazine) Brand Ambassador for the Backstage platform, but months before I got the call for this massive undertaking I was browsing youtube and stumbled across a video they had where it was something like “An audiobook artist (?) takes us through her session recording” And my interest was piqued enough to click and it was interesting because the 10? 12?  minute  video showed how this woman differentiated each character from the next by highlighting their lines of speaking in different colors so she knew who was talking and which voice to do. So you saw a colorful page in front of her, designating the different characters she was voicing and sipping tea. I was blown away. At this point it was just voyeurism- I had no personal stake in this woman’s genius or lifesaving tactics. But come that Wednesday 9pm email months later and when I scrolled that 6-page pdf and a flurry of swears came flying out of my mouth I remembered that video. I didn’t even need to watch it again- I just knew I needed to highlight who was talking. Luckily for me, there were only 2 people talking, a 60-year-old man, who I gave a deep southern drawl to, and a young 17-year-old fiesty/ defensive girl. So, my computer screen went from white to an array of pink and blue (no not gender norms- more like adobe pdf sucks and I didn’t have color options)

What I found perhaps most interesting was  the “I said” and “he said looking down, embarrassed staring at his shoes” and then launching into the dialogue of a character because you then have to switch into someone’s voice you made up- also known as the narrative, in this case, it was first-person narrative. The older guy who I made up, with the deep southern drawl, we will call him Jack, was an interesting segue from the “I said’s” considering this was written in the first person and sometimes the characters would just dialogue back and forth. It certainly was a lesson and a sight to be seen.

Only now listening to the GENIUS that is Michael C Hall narrating, fuck it, acting the SHIT out of Stephen King’s ‘Pet Semetary’ do I KNOW what Audiobooks are supposed to sound like, oh my good god and heaven! I’ve never listened to one before, but thanks to Amazon prime I got a few for free and I am shocked at what that man can do ( I feel like Dexter didn’t do him justice because I was bored- sorry) He voices: an 80-year-old woman and man, 5-year-old girl, 2-year-old boy, the 40-year-old main character, his wife and the narration which I believe is third-person narrative ( “Louis put his shoes on”)

And finally finally (swear to god I’m done now) I got an official microphone to compete with everyone else with last week. This whole time bashfully I’ve been using my MacBook Pro microphone, so even as good as my auditions have been, the quality hasn’t been as nice as it could have been. BUT! The same 2 agencies called me for all my auditions so I won’t beat myself up too hard and fault myself, but now I’m ready for the big leagues. I’m ready to compete with the big dogs. Is this the $1000 microphone yet? No. But the difference is incredible. I am excited about my next audition and I want to  practice because now with the microphone it has a jack so I can hear myself while I’m talking, and obviously playback afterward when I’m done. Mostly, I am excited to learn from my mistakes, correct my accent (My Wisconsin regionalism still creeps through) and just get better. Because whether or not in the moments I am an ungrateful piece of poo, VO seems to be where things are headed, so I might as well be the best doggone actor I can be right?

 

 

 

 

 

 

 

 

 

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s